![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkqv1Olry7RAaoZdEF5jvtvneGdczXSO-tgx4LJDy9-mM-BBXhuCfvN8utTtDVr_5V4EWLj4pyGSAmn6dm9LkEUsW_rVjOzGTsEPgiRzoojfogcw_pB_T_8eY4ebSOlXw1mJ6IsG7St2No/s400/headstudy%2314.jpg)
I haven't put up anything sketchwise in a while, so I thought that I would. About a year ago, I started to do some head studies to practice doing facial structure and all that good stuff. All were and are done with reference, of course, and I started with some celebrities, such as David Lynch, but mostly they were done after paintings and sculptures that interested me. I haven't done as many as I would have liked, like one a day or something, not one a month like I've been doing.
This one was done after Gianlorenzo Bernini's The Blessed Ludovica Albertoni, 1671-1674, marble. I've always found it interesting how artists of the past depicted eroticism through religious ecstacy. I know Michelangelo had a few tricks up his sleeve on the matter. When we were in Italy, I got my introduction to Bernini's sculptures, as they were everywhere. The Baroque master quickly became one of my favorite artists, as some of the works that he did for some of the Popes tombs in St. Peters are just amazing. And the way the he handled fabric and draping cloth is mind boggling